Showing posts with label tape hiss. Show all posts
Showing posts with label tape hiss. Show all posts

Thursday, 19 May 2011

conrad schnitzler & wolfgang seidel : consequenz 010b



conrad schnitzler &
wolfgang seidel

consequenz

mt008
mirror tapes

limited edition of 250



image:
©japanese forms

This tape falls into a category I would call "so good that it's unlistenable" (or the contrary, maybe). Even though it was recorded only last year it sounds to me like some musique concrète from the GRM or from the very early days at the BBC Radiophonic Workshop; only tuneless. This doesn't mean to say it's not good -it might be because I have a headache right now- but I don't think I'll be listening to it that often. Far less interesting, in my opinion, than the recent 10.10.84 tape; also released on the cassette only label Mirror Tapes. For hardcore Schnitzler fans only. one2zero.

Review by David Keenan (Volcanic Tongue)
...Consequenz 010B documents a meeting between Conrad Schnitzler – still the greatest exponent of austere Industrial synth and electronics – and long-term collaborator Wolfgang Seidel. Recorded in an abandoned subterranean bunker beneath the Tempelhof Airport in Berlin, the atmosphere is suitably macabre and claustrophobic, with Schnitzler generating some of his most psychedelic creations, ranging from wobbly purple architectures of electronics through ominous blocks of silence torn apart by invasions of odd keyboard melodies and sudden bursts of noise. The feel is highly ritualistic, almost like a séance, and there’s a weight to the music that is lacking in some of Schnitzler’s later work, a seriousness and a weight of execution that makes this one of his best contemporary recordings.
© Mirror Tapes

Buy this tape @ Mirror Tapes

Sunday, 6 February 2011

marcus fischer - monocoastal


marcus fischer
monocoastal

12k1063


marcus fischer

image: ©japanese forms


If expired polaroid film had a sound then Marcus Fischer's sublime Monocoastal is what it might sound like. The reason I mention 'expired polaroid film' is that, besides from making beautiful sounds, Fischer is also a photographer who has a very fine portfolio of photographs; some of which, like the cover of Monocoastal, have been taken using it. According to the press release; tape hiss, sounds originating from field recordings, as well as found instruments, are used to make sounds recorded by both analog and digital recording and thus creating; as the following reviews put it: "softly undulating gestures... like a landmass meeting the recessing sea" (Resident Advisor) or "swathes of glistening ambience keep you firmly in a dreamlike state where you're unlikely to want to return from for a while" (The Digital Fix). Couldn't have put it better myself. If, soundwise, you enjoyed Taylor Deupree's recent Shoals album you'll enjoy this one too. Highly recommended. one2zero